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A Letter from Myself
A Letter from Myself
The envelope was orange. Bright, absurdly bright like a tangerine peeking through a January snowfall. It sat inside the letterbox among bills and menus for takeaways, and Rachel picked it up last, just before going up to her flat.
On the front her handwriting. Her address. Her name: Miss Rachel Delaney.
She turned it over. The return address was hers as well. The senders name was hers, written in the same steady script shed had since schooldays. Delaney, Miss OConnor, her Year Six teacher, used to say, you write like a grown woman. Thats a compliment, by the way. Rachel had never changed her handwriting. Twenty-five years on and her t still had its long crossbar, her r its backbone curl.
She climbed to the fourth floor, let herself in, and dropped the shopping a bag from Sainsburys rustling against her thigh on the kitchen table. The envelope she put beside it.
Her flat was small, but shed grown used to it. A one-bed in Sutton, windows facing west. In the hallway, a hook for a single coat, an old bookshelf just right for her boots, a mirror where every morning shed look and say, Fine. Itll do. Serviceable. Not pretty, not well-rested serviceable. It was enough.
Each evening, the golden light of London sunsets poured in thick, honey-like, glazing the bookshelf, the mug of forgotten morning tea, and the framed photograph of her mother.
Rachel sat down. Rolled her shoulders. They were up, as always braced for impact, as though she expected lifes next blow at any moment. That stance had crept up on her over years of office meetings and anxious calls from management. Her body readied for trouble before her mind even caught up.
Now, she looked at the envelope.
Orange. Heavy paper, not a crease. Someone had carried it with care. She ran her finger over her name.
Not a joke. Shed know her own handwriting anywhere.
With deliberate hands, she tore open the top and peered inside: one ordinary, white A4 sheet, folded. And something else, flat and glossy.
She pulled out the paper. Unfolded it.
Hello. Its you. Well, you from March twenty twenty-five. Youre thirty-seven, its two in the morning, and you feel awful. Fourth sleepless night on the trot. Youre certain you cant cope not with work, not with yourself, not with this city pressing in from all sides.
Im writing because someone must. Tomorrow a friend will ring, the day after, Mum. But right now two a.m. its just you.
Heres what I want to say:
You asked me to remind you: you managed before, youll manage now.
Love yourself. You deserve it.
If youre reading this, a years passed. That means you survived. That means I was right.
Rachel set down the letter.
She couldnt speak. Not weeping more a tightness in her throat brought on by recognition. This was hers. Every word. The cadence, even the misplaced comma after right now, that habit of beginning a paragraph with heres it was all her.
And she didnt remember.
Didnt remember writing it. Didnt remember the orange envelope, or picking the paper. A whole year, and not once did it cross her mind.
Then she saw the photograph.
It slipped, glossy side down, onto the table as she pulled out the sheet earlier. She picked it up.
In the photo: a woman. Grey complexion, deep shadows under her eyes, lips chapped and pressed into a thin line. Hair yanked into a lopsided bun, scraps hanging down her cheek. A grey jumper, baggy at the elbows, the one Rachel threw away the summer just gone.
She knew that jumper. Knew that face.
It was her. March last year.
At the bottom of the photo, in tiny handwriting: You are stronger now. Look at me and see where you came from.
She laid it down next to the letter. The sunset glow crept over the table, making the photo warmer but not much happier.
And suddenly, she remembered.
***
March, twenty twenty-five. Two in the morning. The very same kitchen, the very same table but this time, a laptop on it, screen so bright her eyes hurt.
Rachel sat bare-footed, in an old t-shirt and cotton pyjama bottoms, scrolling and scrolling. Not social media. Not news. Seeking, though she couldnt say what. Maybe a sign. Maybe just a reason to get up in the morning.
That March, she hadnt managed to rise from bed for three days. Not laziness something heavy, sticky, unnamed, as if a paving stone had been set upon her chest.
The divorce had been three years before. Adam left in twenty-three for a woman in his office, someone who laughed more, asked less. Rachel hadnt wept. Simply gathered his things into two suitcases and left them by the door. Take them, she said. And he did.
Afterwards: eighteen months of non-stop work. The purchasing office at Maple & Co Construction phone calls to suppliers from eight, spreadsheets until ten, and meetings in between where Mr. Kennerly would repeat, Markets slumped. We need to optimise. If you cant keep up, thats on you.
Rachel kept up. Pushed through. Didnt complain.
Come autumn of twenty-four, her body said enough. First, the insomnia. Then, the loss of appetite. Then she couldnt leave the flat. By January, she only slept with the telly on, ate once a day, spoke only to Mum on the phone, and even that with effort.
Mum noticed. Margaret Delaney phoned every evening: Rach, have you eaten? Rachel always replied, Yes, Mum. Soup. She hadnt made soup since November.
That March night, Rachel googled a letter to my future self. She didnt know why. Just saw something in an advert, remembered. There was a Time Capsule website you could write a letter, choose when to have it posted back, and pay for the service. A real letter, real post, proper stamp.
She picked an orange envelope. Orange, because there was enough grey in her world. She wrote by hand, took a photo of it, uploaded the scan. Snapped a selfie right there at the table, by the glow of the laptop. Uploaded the lot. Paid. Selected twelve months.
Closed the laptop. Went to bed. Didnt think of it again all year.
Because after that March, life moved on. Not gracefully, not quickly in fits and starts, like the shuddering lift in her block. But it moved.
In April, she booked a session with a counsellor. First ever. Short hair, a little office near Clapham Common fifty minutes, once a week. On the third visit Rachel cried so hard she couldnt stop for twenty minutes. On the sixth, she laughed, for the first time in half a year.
In June, she was promoted. Senior Buyer. Kennerly told her, Delaney, youre the only one who gets on with the job and never complains. Trust me, I notice. Rachel nodded, went back to work, sat and her shoulders rose to her ears again, as always. Joy and fear at once.
By autumn, things eased. Soup was back on the hob. On Sundays, she passed through the park with a book and a flask. She called her mum first, instead of waiting for Mum to ring her.
The letter faded from memory entirely. Like a forgotten insurance policy, stuck in a drawer you know its there, you just dont think about it.
Until today.
Rachel sat with the letter in one hand and the photo in the other, staring at the woman shed been a year ago: grey-faced, sleepless, wearing that battered old jumper.
And that familiar voice inside, the one shed always known, started up: So what? Youre still struggling. Nothings changed.
***
That voice had been with her a long time. She wasnt sure exactly when it started maybe after the divorce, maybe before. It never shouted or raged, just spoke softly, sensibly, almost with concern. That only made things worse.
The promotion was luck, Kennerly didnt have anyone else.
You call this coping? Shoulders hunched, sleeping four hours, breakfast is just coffee and worry.
Theyll make you redundant too, April or May. Its only a matter of time.
Rachel listened. Not because she believed it but because she didnt know how not to. That voice was part of her, like the way she held her shoulders or looped her r. It had been with her for so long she couldnt tell where she ended and the voice began.
Next morning the nineteenth of March she was up at six. Shower, coffee, mascara. The usual routine.
Work was tense. Maple & Co, on the Streatham Road, sixth floor, thirty-two desks in an open-plan office; quiet hung in the air not the hush of concentration, but something watchful, wary. In February, theyd announced redundancies. First wave was over five from Logistics gone. Now, everyone waited for the next.
Rachel walked past reception. Vicky, the administrator, gave her a smile strained, perfunctory. Vicky was waiting, too. They all were.
Rachel sat, hung her bag on her chair. Turned on the computer, typed in her mothers birth date as the password, eyes closed as always. Opened her inbox: one hundred and fourteen unread. She started sorting. The steel supplier asked for a payment delay. The warehouse flagged missing fixtures. Accounts demanded reconciliations by Friday. Business as usual. If not for that silence, she might have convinced herself nothing was wrong.
At eleven, Kennerly called a meeting.
He strode in, stocky and brisk, with his cropped hair and habit of clicking his pen. Sat, looked around at the eighteen colleagues.
Briefly, he began, Saville from Projects is leaving. Mutual agreement. Official story, her choice. You know the truth.
Julia Saville. Twenty-nine, Projects, three years in. Rachel knew her not close, but enough to remember Julia bringing her grans cheese straws in for the team, or that night at the Christmas party last December, when Julia had quietly confessed in the smoking area she feared redundancy more than anything. Ive got a mortgage, Julia said. And a cat. They cant make the cat redundant.
And, Kennerly snapped his pen, in April, another round. Well see who remains after the quarters numbers.
Rachel sat straight-backed, shoulders to ears, fingers knotted in her lap. And that interior voice said, calm as can be: See? Told you. Aprils your time.
After, she leaned against the corridor wall, eyes shut for a heartbeat or three.
In her head, two voices. One, quiet: You managed before youll manage now. From the letter. From the orange envelope. From last March.
The other, louder: Pure coincidence. Just some website, a few quid down the drain. Julia got the truth, a handshake, and tomorrow shell be typing her CV with a cat purring on her lap.
Rachel opened her eyes. Drew a cup of cold water from the cooler. Drank.
She went back, opened the supplier spreadsheet and kept working. That, at least, she knew how to do. Whether it would be enough that was the question.
That evening at seven, she ate buckwheat and a meatball at her kitchen table. Her mobile rang. Mum.
Hello, love. Margaret Delaneys voice still held a touch of a spring cold. You alright?
Im fine, Mum. Works busy.
Have you eaten?
Having it now. Buckwheat.
Good girl.
A pause. Rachel knew her mother could sense these things. Sixty-four years, thirty of them in the childrens library, listening to what children never actually said. She applied those instincts nightly.
Rach, you sound pause, tight.
Tired, Mum.
You told me you were tired last year. Next I hear, youd not left your flat in three days.
Rachel squeezed her eyes shut.
Mum, Im honestly just tired. Not like then. Works stressful.
You know Im always here. Margarets voice was gentle. I could come up this weekend. Bring you some real soup. Not out of a tin.
Rachel gave a proper smile for the first time all day.
Thanks, Mum. Not yet.
They chatted ten minutes more about Mums blood pressure, neighbour Mrs. Flanderss new kitten who screamed at night, about spring in Kent: a pot of violets blossoming on Mums balcony, the picture sent to Rachels phone. See? Mum texted. Springs come. Youre stuck in that London nest of yours. Again, Rachels lips tugged upwards. An ordinary call. Sometimes the ordinary makes everything easier.
Mum never pressed. No questions about seeing anyone? or when are you having children? Thirty years of librarianship had taught Margaret this: sometimes silence does more than words. She was simply there, two hundred miles away and one call close.
Rachel tidied her plate. Glanced again at the letter on the table next to the envelope and photo.
You are stronger now. Look at me see where you came from.
She picked up the photo. Brought it close. The woman in the picture looked straight out, face asking for help and not knowing who from.
At nine, Lorna called.
Lorna school friend, twenty-two years. Her voice, always full and throaty, as if shed been laughing even when she hadnt.
Rach. Whats going on?
What do you mean?
Everything. I know about the cuts. Maddy from your office put it in our year WhatsApp chat sounds like hell.
Rachel sighed.
Another one lost their job today. Kennerly says next rounds in April.
And you?
Im safe for now. But the for now is the main thing.
Listen, Rach. Remember you called me this time last year? In the middle of the night. Said you couldnt take it anymore. Remember?
She remembered. Fuzzily, like a memory under water. Shed rung Lorna at three in the morning. Lorna had picked up on the second ring.
I remember.
Well look at you. Youre here. You work. You got promoted. Youre making buckwheat and answering my calls. That wasnt the end. Thats called living.
Rachel was silent.
Are you hearing me?
Yes.
So stop burying yourself.
Lorna talked on: about her job custom kitchens, impossible clients, about her tomcat Chester whod shredded her new sofa, about meeting up on Saturday for a glass of wine.
Rachel listened. And thought: Lorna was saying the exact same thing as in the letter. Almost word for word. As if, a year later, her past self, her mother, her friend, had all conspired to repeat: you made it, youre here, stop punishing yourself.
She hung up. It was ten.
The flat was quiet. Not heavy; just ordinary. The fridge droned. A bus went past outside. An echo of laughter drifted up from a child below.
Rachel stepped into the bathroom. Switched on the light. Stared at herself in the mirror.
Her face. Thirty-eight now. Brown hair just grazing her shoulders, curling from damp. Skin not grey. Just there, with a blush from evening tea. Shadows under her eyes, but not the bruises from the photo. Just tired, working-woman shadows.
She went back for the photo. Brought it into the bathroom and propped it next to the mirror.
Two faces.
One in the glass: alive, warm, a little weary.
One in the photo: pale, wind-cracked lips, eyes quietly pleading.
One year apart.
And that inner voice tried to begin: It means nothing. Cameras lie. The light was awful, thats all
But Rachel interrupted. Aloud. For the first time in ages.
No.
She said it to the mirror. The woman in the mirror held her gaze, calm, collected, almost surprised.
No, repeated Rachel. Im not her. Im different. See? She held the photo beside her face. That was me then. This is who I am now.
The voice fell silent.
Standing there, barefoot in pyjama bottoms and an old t-shirt, photograph in hand for the first time in a year, Rachel looked at herself not to judge.
Not am I enough? Not am I managing? Not what if everything fails?
Just looked.
And saw. Not a heroine, not strong and independent as in glossy magazines. An ordinary, living woman. Tired eyes, hair fallen loose by her temple. Hands that, the previous year, had signed off three hundred and twenty orders without a quiver. Shoulders that usually stood so high but never collapsed. Never broke.
***
That night, she didnt sleep until two. But not out of fright out of thinking.
She lay in bed, sifting through the year not as events but as sensations. The first time shed actually eaten breakfast after months. How she made herself walk to the park, sat on a cold bench, the spring sun warm on her face, and just sat for twenty minutes. How shed laughed at her own habit of apologising for existing during a counselling session.
Small things. But they made up the year.
And the voice whispered: That doesnt count. Everyone lives like this. Thats not an achievement.
But Rachel now wondered: what if the voice was wrong? Not on purpose. Not out of meanness. Just because it didnt know how else to be? Like someone raised in a windowless room, claiming sunshine isnt real. Not wicked, just unknowing.
She got up. Went to the kitchen. Switched on the lamp.
The orange envelope still lay on the table. She turned it over to its blank side, picked up a blue gel pen the same one she used at work.
She began to write.
Hello. Its still you. Now its March twenty twenty-six. Youre thirty-eight. Work is stressful. Life is uncertain. But youre managing.
You know, last year I wrote you a letter. I wrote from the dark. The kind of dark where you cant see the walls and it feels endless.
Today, I’ve received that letter. And you know what? I didnt recognise myself in the photograph. Not at first. It took me three seconds to realise: that grey woman was me.
Three seconds or a full year.
This time, I write not from pain but from warmth. Because if youre reading this another year has passed. And you made it again.
Love yourself. You deserve it.
Rachel, March twenty twenty-six.
P.S. If your shoulders are up by your ears, drop them. Right now. Yes like that. Well done.
She folded the sheet neatly into quarters. Slipped it in the orange envelope the same one shed pulled from the letterbox this morning. Flipped it and wrote her address.
Then, opened the laptop, went to the Time Capsule website, arranged for delivery in March twenty twenty-seven. Uploaded the letter scan. And just a moments hesitation snapped a new selfie, right there at the kitchen table in the lamplight.
This time, the face on the screen looked different. Not grey. Not dimmed. Ordinary. A bit tired, a hint of shadow but alive. Lips stretched, not in a grin, but in calm.
Rachel uploaded the photo. Paid. Shut her laptop.
And went to the window.
Night in London blushed from below: street lamps, car headlights, squares of yellow windows. Quietly, a gentle March wind. Two degrees, a hint of spring.
She stood barefoot on cold linoleum, feeling, with some surprise, how her shoulders eased lower, of their own accord.
The old voice tried to say something.
But Rachel did not listen.
She gazed out, thinking of the woman whod receive this orange envelope next year. That woman would be a year older. Maybe a new job, maybe not. Maybe shed move, maybe shed stay. Maybe meet someone; maybe not. It didnt matter.
What mattered was what would be in the envelope: a photograph, captioned, Look at me. See where you came from.
And that woman, a year from now, would look. And see.
Rachel smiled. Turned the lamp off. Went back to bed.
Outside a March night, fresh and smelling of wet tarmac.
In the flat silence.
On the table an orange envelope, with a new letter already inside.
***
She woke at seven, no need for the alarm. Sun streamed in pale, silvery, morning light, not the amber glow she was used to. Different. New.
Rachel rose. Went to the kitchen. Switched on the kettle.
The envelope lay waiting, the photo beside it. Last years. The letter.
She didnt reread them. Didnt peer at the photo. Just set them neatly together, as you do with things you intend to keep.
Then she reached into a cupboard above the sink, found a small glass frame ten by fifteen, bought once for a holiday snap, never used. Slid the old photo in. Set it upon her bookcase.
Grey face. Shadows under the eyes. Wonky bun. Bagged-out jumper elbows.
Not to remember the pain. To remember the way.
The kettle clicked. Rachel poured the tea, holding her mug in both hands so her fingers could soak up the warmth. She went to the window.
There, in the glass, she saw her reflection against the morning sky. Bare-faced, in her comfiest things, clutching the warm mug.
No voice.
She drained her tea. Got dressed. Picked up her bag. Locked the flat behind her.
Pausing on the landing, she checked her posture.
Her shoulders were down. Level, relaxed. Not hunched, not raised, justthere. Hers.
Rachel closed the door and went on her way.
On the kitchen table, the orange envelope remained. This new letter. A fresh photo. Ready to be posted.
In a year, it would find her again. She would open it, look at the self she was today, and perhaps again not recognise herself. Because a year can change everything.
Or almost everything.
Her handwriting would still be the same. The long crossbar on the t and the little curl on the r. As it was at school. As it always would be.
And inside the envelope would lie that line the one true, abiding line: You managed before youll manage now.
Except this time, its written not out of darkness.
But out of light.
